This sound design project is dedicated to the auditory representation of a narrative. I mixed it in Dolby Atmos with different SFXs to better mimic the nuances of the sound field and scene. In navigating the audio landscape, meticulous attention was given to transitions between diverse settings, employing techniques for seamless adaptation and audience immersion. 
            For instance, during the transition from a vibrant nightclub to an outdoor scene, and from the outdoor scene to the interior of a car, a low-pass filter and volume reduction were applied to seamlessly adapt the audio, ensuring audience immersion. Throughout the story, I dynamically adjusted sound effects to match shifting scenes, such as evolving the crowd noise from a lively nightclub to a subdued outdoor ambiance. Additionally, I orchestrated sound evolution to mirror the narrative's progression. For instance, the sounds of rain transformed from a gentle drizzle to a tumultuous downpour, accurately reflecting the changing weather conditions and their impact on the storyline, such as triggering landslides and the descent of stones and tree roots. To polish the atmosphere of thunderstorm day, I introduced the sub low-frequency sound effects, thereby enhancing the overall authenticity and resonance of the audio story. Furthermore, I accentuated the switch of the perspective between in-car and out-car; when it is in-car, you can hear the sound of window wipers, raindrops hitting the car roof, etc.